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You’ll even learn how you can get ANA 2 Ultra as part of Slate’s All Access Pass FREE for 30 days!!ĭean is the VP of Product at Slate Digital, where he leads the team to create educational content for Slate Academy, Sample packs, Mix Templates, plugins, and more. But he’s not just going to make some bleep-bloops and leave us to figure it out on our own! We’re going to dive into 3 SIMPLE things you can do to start tweaking synths TODAY. He’s going to show off their new, super cool synth, ANA 2 ULTRA. Today, I am sooooo excited to have Dean Palya from Slate Digital as my special guest!
Have you ever been “in the flow”, spouting ideas in your DAW as fast as you can record them? Feels great, right? But then maybe you heard a sound in your head that would be awesome, and the next thing you know, it’s 45 minutes of messing with your synth later, the flow has slowed to a bare trickle, and your muse has packed up and left for a cooler party somewhere down the street… If that sounds familiar, then you’ve got to hear today’s episode! So for my uber-talented ninjas out there, listen up.Ĭheck this book, “How to Be Better At Almost Everything” by Pat Flyn here: Today’s episode is called “Making great music is JUST the beginning” because making great music really is the bare minimum to success. It’s the episode just before this one and I’ll link it below! The Boss Producer, I want you to go and listen to that now. If you haven’t checked out the first episode of this series, #54 The Starving Artist Vs.
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The episode you’re about to listen to today is 2 of 5 in a powerful series I’ve put together especially for my aspiring producers called “Boss Producer Business”.
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In today’s episode, I talk all about systems that will help you scale! This includes everything from file and project management, to templates, to hiring a VA!ĭon’t forget to download your worksheet at I’m also going to give you a sneak peek into how I run my 6 figure production company at a high level of performance and profitability. In this series, I’m going to walk you through the steps it takes to go from being an unpaid amateur to a paid professional.
If you haven’t checked out the first three episodes of this series, I want you to go and listen to them now. The episode you’re about to listen today is 4 of 5 in a powerful series I’ve put together especially for my aspiring producers called “Boss Producer Business”.
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Want to learn how to produce your own music the easy way? Want to learn how to make money with your music? In this discussion, we talk about how the company was founded, how they pay their artists UPFRONT money (before the songs are placed), and how they carefully vet the artists they work with. This company is taking the industry by STORM with its innovative (and disruptive) approach to licensing music. Its innovative digital rights model paves the way for creators - everyone from YouTubers to small businesses to the world’s largest brands - to use restriction-free music to take their content to the next level, whilst simultaneously supporting the musicians it works with both financially and creatively. The company has democratized access to music for storytellers. In today’s episode, I sit down with the chief of music for Epidemic Sound, Niklas Brantberg.Įpidemic Sound, the market-leading platform for restriction-free music, is headquartered in Stockholm, heard around the globe, and on a mission to soundtrack the world. Want to learn more about how to make money with your music? Click the link below! 👇🏻 The importance of research before reaching out to publishers
How to take “older influences” like blues/rock and modernize them Relationship-building with libraries and supervisors The difference between music production and production music In the early 2000’s he had his music featured on the SIMS game franchise “Space Station” and since then, he’s turned “Production Music'' into a full-time career.Ī few of Marlon’s credits include The Bachelor, Dancing With The Stars, Temptation Island, America’s Got Talent, Master Chef, Discovery ID, Archer, Access Hollywood, American Idol, Top Gear, F-Word, and more.
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He’s been in the sync world for almost 2 decades and to date has had thousands of TV placements. Marlon Gibbons is a multi-instrumentalist & Composer for TV & Advertising. In this episode, I sit down with producer Marlon Gibbons of Production Music and we discuss making music for film/tv!
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